1. To what extent does
animation fit with traditional notions of genre in cinema and film, and how has
it responded to or developed these? Refer to specific examples in your response
2. What is auteur theory and
how successfully can it be applied to animation? Refer to specific examples in
your response
3. With reference to specific
examples, to what extent can theories of the avant-garde be applied to
animation?.
4. How successfully has
animation been used as a vehicle for politics, propaganda, or social cause? Refer to specific examples in your response.
5. How
successfully has animation been used to represent gender and/or otherness? Refer
to specific examples in your response
I decided I want to write about the auteur theory, because it's interesting to see what qualities an auteur has and who qualifies from the animation industry.
I can talk about directors such as Tim Burton, Nick Park, Ray Harryhausen, Steven Speilburg and Alfred Hitchcock. About how films are distinct as their own - the character designs and visual styles generally look the same.
I will also write about how animating companies such as Disney take credit away from the animators and original authors when making feature films, as Disney's versions become the stereotypes.
http://dlibrary.acu.edu.au/staffhome/siryan/screen/auteur%20theory.htm
http://dlibrary.acu.edu.au/staffhome/siryan/screen/auteur%20theory.htm
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